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The bed is then cranked between the two rollers, which forces the paper into the recessed areas of the metal plate. A dampened sheet of paper is laid on top of the plate, and two felt blankets are placed on top of the paper. Once inked, the plate is then positioned onto the bed of an etching press, which is a machine with two steel rollers that provide pressure. Once the plate is inked using a roller, its surface is wiped clean and only the pigment in the recessed areas is left. Originating from Italy, intaglio is the collective term for printmaking techniques in which the image is incised into the surface of metal plates (most commonly made of copper, zinc, or brass). Learn more about the various intaglio printmaking techniques below. Made by engraving into metal, some historians believe that intaglio evolved from goldsmiths’ practice of taking an impression of a design they engraved on an object onto paper (in order to keep a record of it). Intaglio printmaking techniques emerged in Europe centuries after the invention of woodblock printing in Japan. There are four traditional printmaking categories: relief (which includes techniques such as woodcut and linocut), planography (lithography), serigraphy (silkscreen), and intaglio. Printmaking is an artistic process based on transferring images from a master plate (usually made of wood, metal, or glass) onto another material (most often paper or fabric). But beyond the proliferation of information, there was another benefit to the industrial machine: it facilitated the phenomenon of printmaking as an art form. By the 15th century, it allowed for the mass production of printed matter such as newspapers and books. The invention of the printing press changed the world.